This January-March 1979 issue of "CONJUNTO" commemorates the 20th anniversary of the Cuban Revolution with a special focus on revolutionary Cuban theater. The dynamic cover design by Umberto Peña features bold, high-contrast imagery of theatrical performers rendered in purple, yellow, green, and orange-red—a striking example of Cuban poster aesthetics applied to magazine design. The figures appear in dramatic poses suggesting dance or theatrical movement, their bodies fragmenting into abstract shapes that convey revolutionary energy and artistic experimentation.
Peña's design exemplifies the sophisticated graphic language that emerged from Cuban cultural institutions in the 1970s, where bold silkscreen-inspired imagery and limited color palettes created maximum visual impact with minimal resources. The theatrical figures seem to leap from the vibrant orange-red background, their bodies defined by areas of solid color rather than detailed rendering—a technique that references both revolutionary poster art and the experimental theater the magazine championed. Published by Casa de las Américas under Francisco Garzón's editorial direction, this issue documents Cuban theater's evolution from 1959 to 1979, examining how revolutionary ideology transformed theatrical practice. The cover's explosive visual energy mirrors the transformative cultural project it documents, positioning Cuban revolutionary theater as both politically engaged and aesthetically radical within the broader landscape of Latin American performance.