This October-December 1979 issue of "CONJUNTO" features a vibrant folk-art cover illustration by Juan C. Fondevila that exemplifies the magazine's commitment to Latin American popular aesthetic traditions. The composition presents three faces—a central red-skinned figure flanked by two white-faced companions—surrounded by an exuberant profusion of stylized flowers, scrolling waves, and decorative motifs rendered in bold primary colors of red, yellow, blue, and green. The illustration style draws from Latin American folk art traditions, with its flat planes of color, simplified forms, and horror vacui approach that fills every space with pattern and ornamentation.
Fondevila's cover design represents a departure from the geometric modernism that dominated much Cuban graphic design, instead embracing a more populist visual vocabulary rooted in vernacular artistic traditions across Latin America. The naive style and celebratory imagery reflect CONJUNTO's pan-Latin American mission to document and promote theatrical expressions from throughout the region. Designed and laid out by Umberto Peña under the directorship of Manuel Galich, this issue demonstrates Casa de las Américas's commitment to visual diversity in representing Latin American theater culture. The magazine served as a crucial platform for theatrical criticism, theory, and documentation during a period of significant theatrical experimentation and political engagement across the Americas, with its cover art functioning as a visual manifesto of cultural solidarity and creative vitality.