Tricontinental (cover designer: unknown), "Himnos de Lucha / Fighting Hymns / Hymnes de Lutte," c. late 1960s. Vinyl LP,

The cover design for this groundbreaking internationalist album features bold geometric abstraction in the pan-African colors of red, yellow, and green. Three dynamic red stars sweep diagonally across vertical green and yellow stripes against a dark olive-green background, creating a powerful visual metaphor for revolutionary solidarity across continents. The trilingual title in tan and yellow Art Deco-style typography reinforces the album's mission of tricontinental unity. The Tricontinental logo—a circular design suggesting global interconnection—appears in the upper right corner, marking this as an official publication of OSPAAAL (Organization of Solidarity with the People of Africa, Asia and Latin America).

Produced by the Tricontinental Publishing House, an arm of OSPAAAL founded after the historic 1966 Tricontinental Conference in Havana, this album represents Cuba's role as a hub for international anti-imperialist solidarity during the Cold War. The back cover displays a striking array of national flags from liberation movements and revolutionary nations, including Vietnam, North Korea, PAIGC (African Party for the Independence of Guinea and Cape Verde), and Algeria, visually manifesting the concept of global revolutionary struggle. The trilingual liner notes (Spanish, English, French) emphasize how these hymns and marches express "the purest of the cultural and revolutionary traditions of our peoples" and serve as "genuine manifestation of continental rebirth."

The album's track listing includes revolutionary anthems from multiple continents: the South Vietnamese National Liberation Front hymn, Cuba's "Himno del 26 de Julio" commemorating the attack on Moncada Barracks, the Al Fatah camps hymn from Palestine, Guatemala's national anthem, and the hymn of the Republic of Guinea. This musical compilation embodies Cuba's commitment to supporting liberation movements worldwide, using music as a tool for building international solidarity and inspiring continued resistance against imperialism. The album served as both political education and cultural diplomacy, distributed through OSPAAAL's global network to strengthen bonds among revolutionary movements fighting on three continents.