"Días y Hombres" (Days and Men) by David Fernández was published in the Cuadernos Unión series in 1966, featuring cover design by Fayad Jamís, one of Cuba's most significant poets and visual artists. Jamís's design employs elegant gestural abstraction rendered in cream and red-orange against a deep blue field—dynamic linear marks that suggest both human forms and organic movement. The scratchy, energetic line work evokes the spontaneity of calligraphy or grass writing, while the restricted color palette creates visual harmony. This sophisticated minimalism reflects the influence of abstract expressionism filtered through Cuban sensibilities, demonstrating how revolutionary Cuban design could embrace international modernist aesthetics.
Fayad Jamís (1930-1988) distinguished himself as both a major poet of the Revolution and an accomplished visual artist whose work bridged literary and graphic practices. The back cover features a preface by Eliseo Diego, one of Cuba's most respected poets, who praises the collection's refined sensibility and transparency of spirit. Diego's endorsement positioned Fernández's work within the Cuban lyric tradition, emphasizing poetry's role in making humans "wiser" and "newer" through linguistic refinement. Published by Ediciones Unión as part of UNEAC's mission to disseminate contemporary Cuban literature, this volume exemplifies the organization's commitment to producing beautifully designed books that honored both literary achievement and visual sophistication during the early years of revolutionary cultural production.