Universidad de la Habana - Comisión de Extensión Universitaria, Sección de Cine (cover design and artistic direction: Luis G. Fresquet (Chamaco)), "Arte 7, Año 1, No. 6, Febrero 1971," February 1971. Offset print, magazine.

Issue No. 6 of arte 7 features an innovative puzzle piece cover design that visually articulates the magazine's central thesis: "todos los films son políticos" (all films are political). The cover employs a collage technique integrating photographic images within interlocking jigsaw puzzle pieces printed in vibrant colors—purple, green, cyan, pink, and yellow. Each puzzle piece contains different imagery: duotone portraits, indigenous or rural children, military or revolutionary scenes, and crowd gatherings, suggesting how disparate visual elements interconnect to form political meaning in cinema. A yellow puzzle piece at the bottom features a quote from Peruvian revolutionary poet Javier Heraud: "No se puede pasear por las arenas si existen caracoles opresores y arañas submarinas" (One cannot walk on the sand if there are oppressive snails and submarine spiders), reinforcing the impossibility of political neutrality.

Directed by Alberto Mora Becerra with José Doce Fleitas as editorial secretary and Luis G. Fresquet (Chamaco) as artistic director, this issue includes the editorial board of Mario Naito López, Orlando Rojas Félix, Teresa Huerta, Alejandro Armengol Ríos, and Eugenio Espinosa Martínez. The contents examine cinema in Latin America, neorealism's aesthetic and ideological dimensions, Jean-Luc Godard's "Pierrot le Fou," and Oscar Valdés's documentary work. The interior features an illustration of a filmmaker with a camera on a tripod, embodying the magazine's commitment to exploring the relationship between cinematic practice and political consciousness in revolutionary Cuba.