Universidad de la Habana - Comisión de Extensión Universitaria, Sección de Cine (cover design and artistic direction: Luis G. Fresquet (Chamaco)), "Arte 7, Año II, No. 14, Octubre 1971," October 1971. Offset print, magazine.

Issue No. 14 of arte 7 features a powerful duotone cover design in orange and brown utilizing halftone screen printing to create a layered, overlapping composition of faces that evokes both popular iconography and revolutionary imagery. The dense stippled texture and overlapping portraits create a sense of collective identity and mass culture, while the partial text visible across the faces—referencing "los ídolos modernos" (modern idols), "ideología e internacionalidad," "la revolución del 30 en el cine cubano," and "fórmula para un cine de liberación"—positions the issue's focus on questions of film theory, revolutionary cinema, and the construction of popular heroes in Cuban cultural consciousness.

The magazine's editorial board for this issue included Alberto Mora Becerra, Eugenio Espinosa Martínez, Bernardo Callejas Ríos, José Doce Fleitas, Alejandro Armengol Ríos, Mario Naito López, Orlando Rojas Félix, and Teresita Huerta, with contributors Agustín Gutiérrez Tomes, Luis Díaz Mijares, José Rojas Bez, Eleyne González, Manuel Mariño Betancourt, and Eliane Cardena. The interior features a satirical illustration showing figures of increasing size all pointing in the same direction, suggesting commentary on conformity and political direction. This issue continues arte 7's mission of disseminating cinematographic materials and critical film theory within the university environment, examining the relationship between ideology, internationalism, and liberation cinema in the revolutionary Cuban context.