Universidad de la Habana - Comisión de Extensión Universitaria, Sección de Cine (cover design and artistic direction: Luis G. Fresquet (Chamaco)), "Arte 7, Año II, No. 15, Noviembre 1971," November 1971. Offset print, magazine.

Issue No. 15 of arte 7 features a dynamic cover design employing geometric collage techniques with bold orange and blue shapes intersecting with black and white photographic imagery. The composition creates a visual narrative across multiple temporal and spatial planes: a pointing hand emerges from a blue isometric block at the top, a historical figure with a cannon occupies the middle tier, a contemporary couple walks beneath an orange geometric overhang, and an intense close-up portrait anchors the bottom. This layered construction suggests cinema's capacity to collapse historical periods and juxtapose diverse visual registers, while the geometric shapes frame and organize the photographic elements like a sophisticated montage sequence.

The magazine's editorial board for this issue included Alberto Mora Becerra, Eugenio Espinosa Martínez, Bernardo Callejas Ríos, José Doce Fleitas, Alejandro Armengol Ríos, Mario Naito López, Orlando Rojas Félix, and Teresita Huerta, with contributors Agustín Gutiérrez Tomes, Luis Díaz Mijares, José Rojas Bez, Eleyne González, Manuel Mariño Betancourt, and Eliane Cárdenas. Photographer Francisco Wong contributed photocopies for this issue. Contents include articles on ideological reading of film messages by Armand Mattelart, cinema and architecture by Eliana Cárdenas, Lord Jim, and Astérix and animated drawing by Josefina Mesa. The "cartelera" (billboard) section features film stills and criticism, maintaining arte 7's commitment to both theoretical film discourse and practical engagement with contemporary cinema.